You know how Joan Smalls scored the March cover of Italian Vogue and it’s a big deal because a black woman hasn’t covered that particular magazine in four years? …Unfortunately, some critics suggest that Italian Vogue might be chipping away at the significance of Smalls’ placement, saying the editorial that accompanies it is kind of racist. More
Topic: Daphne Groeneveld
It seems somewhat ironic that for their “models issue,” V would hire a photographer known for making models incredibly uncomfortable, no? At least they’re not stuffing phallic food items into their mouths. More
A week ago, we posted the first campaign images for the hotly anticipated collaboration between Versace and H&M, featuring current runway darlings Daphne Groeneveld, a heavily retouched Lindsey Wixson and a curiously unrecognizable Sasha Pivovarova (who’s doing more of a bombshell thing lately anyway). Now we have another image–featuring Daphne and her unmistakeable, exaggerated features–in a fringed heart-print cocktail dress and toting what will surely be some very sold-out studded handbags. More
Only the “very best.” More
After building up anticipation by releasing a couple of cover shots early, Love Magazine has finally unveiled all eight of its spooky August covers. They feature such heavy hitters as Lara Stone (above), Nyasha Matonhodze, and Hailee Steinfeld. Each of the eight cover models is made to look like she is crying. It’s almost too much girly emotion to handle. Are they all on their periods or something? Which tear-streaked beauty do you like the most? More
W‘s August issue features a delightful photo spread in which teen models Lindsey Wixon and Daphne Groeneveld hang around various areas of New York City styled to blend in with their surroundings. Or rather, styled to match the image their surroundings are historically best known for. I’m a little disappointed there’s no Brownsville one, but the folks at W still did a fine job. Let’s take a look. More
We try to share as many cool, current editorials as we can, but when it rains it pours: I was collecting spreads to post this past week and became completely overwhelmed by the amount of fantastic, striking, memorable work from (unsurprisingly) majors like Meisel and Sasha P. Some really cool things of late have included the surprise appearance of a Rayder sister (Missy!), a gorgeous Italian Vogue Beauty spread starring Magdalena and two rising star turns from newcomer Regina Feoktistova. Check out the stable of great shots from recent weeks in the gallery. More
A little while back, I had a minor freakout when Carine Roitfeld cast a then-(mostly) unknown Dutch model named Saskia de Brauw to be the face of her final cover at Vogue Paris. I freaked out mostly because Saskia is 1) awesome looking and 2) 29, which is (unfortunately) straight up old for a model to breakthrough. It’s a striking, strange, slightly unnerving cover (the polar opposite of Emmanuelle Alt’s inaugural cover featuring Gisele Bundchen) and here’s the accompanying editorial, which also features whitehot new-ish comer Daphne Groeneveld, who was, alas, at the more common age of 15 when she appeared on the cover of her first French Vogue. The shoot–lensed by Mert & Marcus, styled by Carine–has a seedy, off-putting, voyeuristic feel to it, as if the images were nothing more than stills from security camera footage. What do you think? Was this a strong way to go out? (Also, it’s Vogue Paris, so there’s some nip. If your workplace is not down with mostly-unsexy Fashion Nudity, you may want want to stop at slide 12). More
How Did This Teen's Urine Basically Ruin Portland?
16 Year-Old Girl Posts Her Suicide Video To YouTube
What? Tom Cruise And Laura Prepon Are Dating?!
Kirsten Dunst Is Sexual Assault Victim-Blaming Now
Heartbreaking Texts Sent From Missing Ferry Passengers
The team behind Valentino–Pier Paolo Piccioli and Maria Grazia Chiuri–inspired a whole lot of questions by explaining their Spring 2011 couture collection with a statement like “Elegance is subversive… The real subversion is culture.” Although I’m not entirely convinced that means anything, it rang oddly true when viewing the clothes: a strange and compelling mix of classic femininity (butterflies, flowers, neutrals in romantic pinks and pales) and something more off-putting (cut-outs, sheer panels, those same butterflies as weirdly constricting chokers). The collection–with its admirably coherent narrative–actually did an excellent job of realizing this play on virginal prettiness and something legitimately subversive… while keeping things subtle and wearable all the time. I’m officially excited to see where they’re going with Valentino. More